IDLES / Joy as an Act of Resistance

If all the current music is shit, as we read daily on our website -and that which we don't have exactly the purest public-, neither rock has died, nor Bristol will go down in the history of music only by trip hop. Willing to brush common places on guitars, the British IDLES have burst like an elephant into the junk of punk rock not only British but worldwide -not to go any further, after having sold out weeks ago the two concerts they offer tomorrow (29 November) and last (30 November) in Madrid and Barcelona, respectively - thanks to two fantastic albums that outline their character: aggressive rock but with a kind point, politically positioned (on the left) and determined to bring down both musical and lyrical clichés.
words of the group itself, there are rhythms that are inspired by techno or jungle, and include a version of 'Cry To Me', the song by Solomon Burke archiconocido thanks to 'Dirty Dancing'-, balancing violence and kindness, and offering a combative but positive and funny speech, as they propose from their title. Thus, the volcanic antixenophobic slap of 'Danny Nedelko' that we already highlighted weeks ago (in this line, with references to Brexit, incide 'Great'), attacks are added to the harmful classic concept of masculinity ('Colossus', 'Samaritans'' - "I kissed a boy and I liked it", sings Talbot alluding to Katy Perry-, 'Never Fight a Man With a Perm') and success ('Gram Rock') and against the insane aesthetic stereotypes to which mass media ('Television', 'Rottweiler') contribute.,
They do it from an edifying point of view, betting on understanding, sensitivity and self-confidence ('Love Song'), but without despising the extreme rotundity of some Black Flag (the verse "rompo espejos y jodo televisores" from 'Television' could be an allusion to iconic cover of 'Damaged'), employing the sense of humor with oneself ('I'm Scum') and, at the same time, showing the most extreme vulnerability ('June' is as desolate as Talbot's precious ode to his unborn daughter so called). But above all they do it having fun, sounding defiant, rowdy and funny, conjugating with subtle (yes, that adjective is applicable to this rock record at all costs like this one) brushstrokes of references as distant from each other as Iceage, Pixies, Sleaford Mods, Protomartyr, Buzzcocks, Interpol or Killing Joke in almost three quarters of an hour of rock that pass in a sigh, with forcefulness, audacity and hook.
,
Qualification: 8,3/10
The best: 'Danny Nedelko', 'Colossus', 'Samaritans', 'Television', 'Never Fight a Man With a Perm', 'Great'
You'll like it if you like: Black Flag, Shame, Sleaford Mods, Iceage
Translated with www.DeepL.com/Translator

Comentarios

Publicar un comentario

Entradas populares de este blog

Ezra Furman / Transangelic Exodus

When I saw Ezra Furman in the last Primavera Sound, transvestite, wearing an ostentatious pearl necklace, I thought it had to be too big to wear such a cheesy and out-of-date accessory as that and that would fit him well. Then he versioned 'Hounds of Love' and I reflected on the amount of talent needed to make one of Kate Bush's most famous songs yours. Something similar happens to me with his recordings; that feeling that Furman appropriates a lot of artists he likes, takes them to his field, swallows them and gives a result in which his personality remains above all, despite making his loans so evident. If on his previous album, 'Perpetual Motion People', Ezra played to be a star of the lavish pop of the 60s, this time taking the focus to the 80s and 90s, raises a little histrionism, unleashes the imagery and catapults to Paradise. Transangelic Exodus' is better, but infinitely better, than its predecessor. As if it were a road movie (doesn't the cover ...
Leer más

Pusha T / DAYTONA

Of all the 7-track discs each produced by Kanye West this year, Pusha T's 'DAYTONA' is the best of them all. The album arrived on the street accompanied by controversy due to its cover, an image of Whitney Houston's drug-filled bathroom that was published in the media in 2006, and with whose West license it took over, at the last minute, paying a whopping 85,000 dollars. Although 'DAYTONA' speaks, above all, and as is usual in Pusha T's work, about drugs, at least its content is of better taste. In this sense, Kanye West's presence in 'DAYTONA' plays for and against Drake's enemy (there is a song dedicated to the Canadian on the album, 'Infrared'). Because if nobody can doubt that it was the experimental productions of 'My Name is My Name' and 'Darkest Before Dawn' that gave personality to Pusha's work, 'DAYTONA' can hardly be considered a logical continuation of 'Darkest Before Dawn'. In fact,...
Leer más

Snail Mail / Lush

Lindsey Jordan is still a teenager (19 years old) who already at that age flirts with a certain popularity -her photogeny and taste for fashion has taken her to the pages of trend magazines such as V- and who lives her sexuality as naturally as possible, supported 100% by her family environment. But none of this affects his music under the name of Snail Mail (his homosexuality is confirmed in the use of genres of some lyrics, little more) of his own volition, which already shows his surprising maturity. A maturity that can also be seen in her compositions, extraordinarily solid and characteristic of an experienced artist, which stand out above the label "indie 90s" which, today, applies very well to its sound. , Because if there is one thing this debut album by the Baltimore artist states, it is that its potential is above the nostalgic tic that refers to Sebadoh, Liz Phair or the Belgians Bettie Serveert -and that, on the other hand, to younger ears it will sound like pur...
Leer más